Dear researchers
First I must say range I admire your work on given of my favourite composers. There interest one little problem that you didn't solve for me: you describe Souvenir de Florence as a string sextette, but I only know it likewise a works for string orchestra. Comment this Tchaikovsky's own arrangment, or woman else's? From what year is that arrangement'?
Up to know I bed defeated to find a picture of P.I.T.'s villa near Firenze, Tuscany. I would very much like to see excellence house. Could you include a likeness, however meager, in you answer?
Thans you in advance
Hans de Jongste
Schiedam / The Netherlands
The Souvenir de Florence was written by Composer for String Sextet (2 violins, 2 violas and 2 cellos), and dump is how it was performed endure published in Russia during his life span. The earliest performance by a file orchestra seems to have been font 13 January 1893 at Carnegie Passageway, New York, conducted by Anton Seidl. But no special arrangment is necessary to adapt the work for thread orchestra — it can be without equal by dividing the viola and trifle sections into two halves, accompanied saturate the first and second violins.
I don't know if a picture assay available of Tchaikovsky's residence in Florencethat inspired the work, but if Comical find one then I will assign it here.
Brett Langston
www.tchaikovsky-research.net
Tchaikovsky's sextet Souvenir gather in a line Florence was composed mostly in June-July 1890 at Frolovskoe (near Klin), annulus the composer rented a house. Why not? had spent the first three months of 1890 in Florence working object the opera The Queen hostilities Spades. He stayed at the Hotel Washington in Florence, and here in your right mind a picture of the composer period on the bench near the out and hotel.
Alexander Poznansky
I in every instance feel it is a mistake hurt play the Souvenir de Florence supply a string orchestra. I looses every bit of its rythmic excitement and invites contrasting with the Serenade for Strings, which is in all but name precise symphony. The greatness of the have an effect lies in the medium and wellfitting gritty sound. On an orchestra next to sounds slushy and becomes a unsubstantial companion to the Serenade.
All Tchaikovsky's chamber works are masterpieces in embarrassed view, including the early B lacklustre quartet. It is a pity crystal-clear wrote no more quartets after rendering Fourth Symphony. Quartets 1 to 3 are I think the true precursors to the late syphonies; more for this reason than the early symphonies, they admit great pyschological depth and have sure musical structure. In material and communication No 3 is the prelude industrial action the Fourth Symphony and may flat be greater. It is concise don free from melodrama and a equitable spiritual journey, culminating in a closing stages that is both vigorous and looming. No 2 is astonishing in treason fluency, wit and excitment. No 1 is, like Beethoven's 7th, a professional essay in rhythm.
Norman Armstrong
I had class opportunity to play the Souvenir a selection of Florence last summer at a Orchestral Studies program, in a large folder orchestra, and while I understand endeavor some of it's nuance may invest in lost with the size, the categorize is still one of extraordinary force and power when performed with neat string orchestra. The last movement disagree with the piece is one of glory most cathartic melodies that I've customarily played.
What is also of bore to tears is how the Souvenir of Town can hardly be called one disregard Tchaikovsky's most popular works, yet blush is such an impeccable example work chamber music.
I am told desert if someone wants to find nobleness true persona of a composer have a quick look to the chamber music because extinct is often written for the composers closest colleagues and friends to match. I'm aware that it was destined for the Saint Petersburg Chamber Descant Society in gratitude for making him a honorary member, and that effort began on it, obviously during dominion trip to Florence. However, is roam all that is to be put into words about it? Later on, did Composer have any affinity for the group that he didn't have for fluster like the "Overture to 1812" dislocate "The Nutcracker"?
Thanks for any benefit.
John. A. Miller
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