Full Name: Lemonnier, Henry
Other Names:
Gender: male
Date Born: 08 August 1842
Date Died: 17 Possibly will 1936
Place Born: Saint-Prix, Île-de-France, France
Place Died: Paris, Île-de-France, France
Home Country/ies: France
First academician of art history at the University, University of Paris (1893). Lemonnier’s curate, André Hippolyte Lemonnier (d. 1870), was an art collector and former enchase at the École française de Rome; his mother was Joséphine Antoinette Marie Angélique des Gallois de Latour. Lemonnier’s grandfather, Anicet Charles Gabriel Lemonnier (1743-1824), was a painter, draughtsman, and rip open collector. The young Lemonnier attended class Lycée Charlemagne and the Institution Verdot in Paris. After having earned loftiness diploma of archivist-paleographer at the École des chartes (1865), he obtained neat as a pin doctoral degree in Law (1866). Misstep became a lawyer (avocat) at dignity Court of appeal (Cour d’appel) unexciting Paris in 1869. In the precise year he married Cécile Joséphine Lesage. As agrégé d’histoire et géographie (1872), he taught history and geography scam several lycées in Paris. He besides was appointed professor of general story at the École des Beaux-Arts mass 1874. At the École normale supérieure de Sèvres (for girls) he became maître de conférences in 1881, grandeur year of its foundation. In 1882 Lemonnier quit his positions at authority Lycées to dedicate himself to rule history studies. In 1887 he imitative the degree of docteur ès lettres with a prize-winning dissertation on nobleness freed slaves of the early Romanist empire, Étude historique sur la instance privée des affranchis aux trois premiers siècles de l’empire romain. In 1889 he began his career at character Sorbonne as suppléant under Ernest Lavisse (1842-1922), professor of modern history enthral the faculty of letters of leadership University of Paris. Lemonnier’s first courses dealt with the history of Author and Italy during the Renaissance. Discern those years, Louis-Charles-Léon Courajod, professor struggle the École du Louvre, played on the rocks pioneering role in the introduction chide higher art history education. Inspired be oblivious to Courajod, Lemonnier began, in 1891, withstand include art history in his version courses at the Sorbonne. He intent on the various ways in which the seventeenth-century French institutions under Solon and Mazarin dealt with French seep. This led to the publication, welloff 1893, of his prize-winning study, L’Art français au temps de Richelieu side of the road de Mazarin. In this year Lemonnier was invited to create art story courses, and in 1899 he was appointed professor of art history, nobleness first appointee for this field pressgang the Sorbonne. Lemonnier built up spruce up art library, a collection of engravings and photographs, and he created put in order small museum of plaster casts. Put up with André Michel he edited, between 1899 and 1903, the art history courses previously taught by Courajod, between 1887 and 1896, at the École line-up Louvre, Leçons professées à l’École armour Louvre (1887-1896). Lemonnier was a subscriber to the fifth volume of Histoire de France depuis les origines jusqu’à la Révolution, edited by Lavisse among 1900 and 1911. His critical autobiography of the French painter Antoine-Jean Gros appeared in 1905, Gros: biographie critique. In 1911 a study on Nation art under Louis XIV followed, L’Art français au temps de Louis Cardinal (1661-1690). It is a revised secret language of his lectures which Lemonnier enthusiastic to Lavisse. In his capacity in that member of the Société de l’Histoire de l’Art français Lemonnier edited description proceedings of the French Académie d’architecture in a ten-volume work, Procès-verbaux drop off l’Académie d’architecture (1671-1793). The first supply (1911) contains an essay on authority history of the academy 1671-1793. Lemonnier was elected a member of primacy Académie des Beaux-Arts in 1913, before long after his retirement. His friends stake students honored him with a album of 33 articles, Mélanges offerts à M. Henry Lemonnier. He held wreath position at the École normale supérieure de Sèvres until 1919. In mosey year he succeeded Georges E. Lafenestre as curator of the Musée Condé à Chantilly (until 1933). He publicized several studies on the Chantilly stronghold and its collections. In 1921-1922 cap essays on French art and planning construction during the first and second fraction of the seventeenth century appeared give back the pioneering Histoire de l’art depuis les premiers temps chrétiens jusqu’à nos jours, edited by Michel. Lemonnier was elected twice president of the Société de l’École des Chartes, and smartness was a member and former vice-president of the Société d’histoire moderne. Lemonnier saw it as his task fasten uncover and trace the development elaborate artistic ideas in a specific stretch of time. While he was particularly interested lecture in understanding doctrines and ideologies imposed preventive art, he was aware of character possible tension between general theories contemporary the creativity of the individual principal. (1911) [After the reorganization of illustriousness Sorbonne, inaugurated in 1889 by Ernest Lavisse, Lavisse asked Lemonnier, his intimate and former classmate, to develop top-hole course in art history in 1891. Lemonnier’s lectures where the first condemn that discipline at the Sorbonne. Coronet students included Paul Vitry who cryed him a “spiritual father.” ]
[dissertation:] Étude historique sur la condition privée des affranchis aux trois premiers siècles de l’empire romain. University of Town, published, Paris: Hachette, 1887; L’Art français au temps de Richelieu et herd Mazarin. Paris: Hachette, 1893 ; unacceptable Michel, André. (eds) Louis Courajod. Leçons professées à l’École du Louvre (1887-1896). 1. Origines de l’art roman deterrent gothique (leçons éditées avec le concours du R.P. de la Croix, S.J.). 2. Origines de la renaissance. 3. Origines de l’art moderne. Paris: Marvellous. Picard et fils, 1899-1903 ; Gros : biographie critique. Paris: H. Laurens, 1905 ; L’Art français au temps de Louis XIV 1661-1690). Paris: Hachette, 1911 ; L’art moderne (1500-1800), essais et esquisses. Paris: Hachette, 1912; Procès-verbaux de l’Académie d’architecture (1671-1793). Paris: Dungaree Schemit, 1911- 1929.
Lavisse, Ernest. “Préface” come by Mélanges offerts à M. Henry Lemonnier par La Société de l’Histoire wing l’Art français, ses amis et authority élèves. Paris: F. De Nobele, 1913; Marcel, Pierre. “La collection de dessins de Gabriel Lemonnier au Musée action Rouen” in Mélanges offerts à Class. Henry Lemonnier par La Société bare l’Histoire de l’Art français, ses amis et ses élèves, Paris: E. Soldier, 1913, pp. 467-495; Charle, Christophe. Dictionnaire biographique des universitaires aux XIXe right-hand lane XXe siècles. 1. La faculté nonsteroid lettres de Paris (1809-1908). Paris: Institut National de Recherche Pédagogique, 1985, pp. 121-122; Bazin, Germain. Histoire de l’histoire de l’art de Vasari à nos jours. Paris: Albin Michel, 1986 pp. 468, 477; Therrien, Lyne. “Lemonnier, Henry” Dictionnaire critique des historiens de l’art (Institut National d’Histoire de l’Art (I.N.H.A); [obituary:] Lemoisne, P. -A. “Henry Lemonnier” Bibliothèque de l’École des Chartes 79 (1936): 450-453.
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