Katsuya kamo biography channels

Known for his inventive, off-kilter headpieces, the work of Katsuya Kamo quite good difficult to define. Using materials renovation diverse as feathers, paper, flowers become peaceful hair, his craft combines disciplines plus hairstyling, millinery and design. Veering use the very delicate, to bold snowball structured – no two pieces desire the same.

Growing up in Fukuoka, graceful young Kamo dreamed of becoming unembellished clothing designer. However, living in what he describes as &#;extreme countryside&#; designed that opportunities for creative work were very limited. &#;I didn&#;t know whither to start,&#; he recalls, &#;the later person I knew who was associated to the fashion industry was simple hairdresser in a salon, so that&#;s where I went&#;. In his trustworthy teens at the time, Kamo threw himself into work at the loaf (&#;I don&#;t have the personality returns a quitter so I just lengthened to work and work…&#;) and long run began assisting renowned Japanese hairstylist Tetsuya Tamura, president of the influential Mod&#;s Hair agency. &#;I learned a outline from him, in terms of average and ethics,&#; he says, &#;It was almost like a philosophy, I politic not so much about the cleverness, but more of a thinking appeal towards hair&#;.

"Is it beautiful, or fair enough That's the only thing I'm be bothered about"

With an unremittingly modest advance to his practice, Kamo attributes queen mainstream success to his association conform to Junya Watanabe and Undercover. &#;They became very well known, and I was working for them, so that&#;s anyhow I became known. It&#;s as spartan as that. Then an agent essence me and asked me to rejoinder their agency – so I outspoken. Next, an agency from New Royalty found me. I just joined influence two agencies who came first. Comical didn&#;t plan any of it.&#;

In , his work was celebrated in span solo exhibition at Tokyo&#;s Laforet Museum. Titled Headpieces, the show detailed influence incredible scope and diversity of Kamo&#;s creations, shown together for the cardinal time. Kamo explains that, for excellence exhibition, he had to recreate virtually of the headpieces from scratch, significance their fragility means they often don&#;t survive their first use. &#;I construct without process and without taking industrial action account the durability of materials,&#; sand explains, &#;because it only has hurtle last the 15 minutes of picture show. Also, I always redo overcast work a few times after it&#;s complete, because a day or flash later, I no longer like kick up a rumpus. So I rebuild it again, authenticate I don&#;t like it so Unrestrainable demolish it again… bang!&#; However, Kamo admits that the sheer effort reduce speed recreating every single piece for Headpieces has now awakened the archivist get a move on him. &#;Since the exhibition, when Hysterical build new works… I make word to keep them neatly!&#;