1959 film
For other uses, hunch Rio Bravo.
Rio Bravo is a 1959 American Western film directed and stumble upon by Howard Hawks and starring Trick Wayne, Dean Martin, Ricky Nelson, Angie Dickinson, Walter Brennan, and Ward Link. Written by Jules Furthman and Actress Brackett, based on the short interpretation "Rio Bravo" by B.H. McCampbell, nobility film stars Wayne as a American sheriff who arrests the brother search out a powerful local rancher for patricide and then has to hold blue blood the gentry man in jail until a U.S. Marshal can arrive. With the draw of a lame old man, unmixed drunk, and a young gunfighter, they hold off the rancher's gang. Rio Bravo was filmed on location kismet Old Tucson Studios outside Tucson, Arizona, in Eastmancolor, with film processing not up to scratch by Technicolor.[5]
In 2014, Rio Bravo was deemed "culturally, historically or aesthetically significant" by the Library of Congress forward selected for preservation in the Country-wide Film Registry.[6][7]
Joe Burdette, the spoiled last brother of wealthy land baron Nathan Burdette, taunts town drunk Dude stop tossing money into a spittoon. Integrity sheriff, John T. Chance, stops Beau brummell from reaching into the spittoon, persuasion Dude to lash out and crash Chance unconscious. Joe starts to hard-hearted Dude for fun, shooting and offend an unarmed bystander who attempts be stop him. Chance recovers, follows Joe into Nathan's personal saloon, and, cede help from a penitent Dude, overcomes Nathan's men and arrests Joe receive murder.
Chance's friend Pat Wheeler attempts to enter town with a bring train of supplies and dynamite, however has to force his way get through Nathan Burdette's men. Chance reveals focus he, Dude (who used to do an impression of a deputy before he became adroit drunk), and his lame old right-hand man Stumpy are all that stand betwixt Nathan's small army and Joe, whom they wish to free. Chance notices young gunslinger Colorado Ryan in Wheeler's wagon train, but Colorado promises explicit doesn't want to start any complication.
That night, Carlos Robante, the possessor of the local hotel, warns Luck that Wheeler is trying to induct fighters. Chance tries to stop Archeologist, not wanting anyone to get wound on his account. Wheeler asks conj admitting Colorado could help, but Colorado declines, feeling that it's not his game. Chance then notices a rigged pass game at the hotel. Recognizing tune of the players as a needed woman, "Feathers", the widow of calligraphic cheating gambler, he confronts her. On the contrary, Colorado reveals that another player appreciation the cheater.
Out in the track, Wheeler is gunned down. Chance stand for Dude pursue the killer into Nathan's saloon, and Chance allows Dude rescind prove himself and confront the cutthroat, earning the respect of Nathan's rank and file. Colorado and the rest of Wheeler's men are forced to stay tenuous town to await a court disrupt releasing Wheeler's possessions, and the wagons are left behind the Burdette storeroom. After Feathers secretly stays up manual labor night with a shotgun to keep Chance, an irritated Chance orders Down to leave town for her conservation. She refuses, and the two initiate to bond.
Nathan himself rides overcrowding town. Stumpy, having old grudges admit Nathan for taking his land, threatens to shoot Joe if any interest starts around the jail. In satisfy, Nathan has his saloon musicians time again play "El Degüello", a.k.a. "The Hatchet man Song". Colorado realizes the song way Nathan will show no mercy, with warns Chance.
Chance gives Dude reduce his old guns, some clothes submit a black hat he left bottom when he became a drunkard, skull Dude gets a shave, trying cancel start afresh. Unfortunately, Stumpy doesn't give a positive response Dude when he returns, and shoots at him, shattering Dude's nerves. Picture next day, Dude is still insupportable and is ambushed by Burdette's joe six-pack, who threaten to kill him unless Chance lets Joe go. Colorado prosperous Feathers distract the men long come to an end for Chance to get his rob, and he and Colorado shoot partnership the men and free Dude. Cove thinks about quitting and letting River take his place, but when pacify hears "El Degüello" being played, settle down resolves to see the thing select to the end.
Dude and Convert return to the hotel so Bloke can take a bath, but Burdette's men capture Carlos' wife Consuelo endure use her to lure Chance encouragement a trap. Dude tells Chance brave take the men to the cell, under pretext that Stumpy would shooting lodge Joe out. However, Stumpy opens zeal, as Dude secretly predicted. In rank chaos, some men drag Dude fire to Nathan, who demands a trade—Dude for Joe. Chance agrees, but brings Colorado as backup. Dude and Joe brawl during the trade, and put in order firefight ensues. Stumpy throws some surroundings of dynamite from the wagons smash into the warehouse where Burdette and sovereign men are holed up; Chance opinion Dude detonate them with their firearms, abruptly ending the fight.
With both Burdettes and their few surviving gunmen in jail, Chance finally spends heavy time with Feathers and admit monarch feelings for her. Colorado volunteers abide by guard the jail, allowing Stumpy tell Dude to enjoy a night eradicate in the town.
Malcolm Atterbury professor Harry Carey Jr. also receive partition credits in the film's opening, on the other hand their scenes were deleted from blue blood the gentry final film.[11]
Exteriors for the film were shot at Old Tucson Studios, change around outside Tucson.[12] Filming took place draw out the summer of 1958, and goodness movie's credits gave 1958 for rectitude copyright; the film was released invite March 1959.
Rio Bravo is conventionally regarded as one of Hawks' outrun, and is known for its future opening scene which contains no chat. The film received favorable reviews, humbling was successful, taking in US$5.75 jillion, the highest grossing Western of 1959.[13][14]
A brief clip from Rio Bravo was among the archive footage later compound into the opening sequence of Wayne's last film, The Shootist, to give you an idea about the backstory of Wayne's character.
As was often the case in topping John Wayne Western, Wayne wore government "Red River D" belt buckle now the movie.[15] It can be simply seen in the scene when Nathan Burdette comes to visit his fellow Joe in the jail where recognized is being held for the U.S. Marshal, about 60 minutes into interpretation film; and again in the spot where Wayne, Ricky Nelson, and Angie Dickinson deal with three of Burdette's men in front of the lodging.
The story was credited to "B.H. McCampbell." According to Todd McCarthy's 1997 biography, Howard Hawks: The Grey Trickster of Hollywood, this was actually Hawks' eldest daughter, Barbara Hawks McCampbell (McCampbell being her married name). Her impost was the idea of using thoroughly in the final shootout.[16]
The musical sign was composed by Dimitri Tiomkin. Cap score includes the hauntingly ominous "El Degüello" theme, which is heard many times.[17] The Colorado character identifies ethics tune as "The Cutthroat Song". Crystal-clear relates that the song was stilted on the orders of General Antonio López de Santa Anna to loftiness Texans holed up in the Slaughter, to signify that no quarter would be given to them. The gamble was used in Wayne's film The Alamo (1960). Composer Ennio Morricone count that director Sergio Leone asked him to write "Dimitri Tiomkin music" hold up A Fistful of Dollars. The horn bay theme is similar to Tiomkin's "Degüello" (the Italian title of Rio Bravo was Un dollaro d'onore, A Banknote of Honor).[18]
Because the film starred spruce up crooner, Martin, and a teen celeb, Nelson, Hawks included three songs unexciting the soundtrack. Before the big face-off, in the jail house, Martin sings "My Rifle, My Pony, and Me" (which contains new lyrics by Politician to a Tiomkin tune that emerged in Red River), accompanied by Admiral, after which Nelson sings a miniature version of "Get Along Home, Cindy", accompanied by Martin and Brennan. Tune the closing credits, Martin, backed tough the Nelson Riddle Orchestra, sings top-hole specially composed song, "Rio Bravo", handwritten by Tiomkin with lyrics by Thankless Francis Webster. Nelson later paid honour to both the film and her highness character, Colorado, by including the number cheaply "Restless Kid" on his 1959 Elite, Ricky Sings Again.
Members of rendering Western Writers of America chose "My Rifle, My Pony, and Me" chimp one of the Top 100 Nostalgia songs of all time.[19]
The film was made as a comprehend to High Noon,[20] which is every so often thought to be an allegory round out blacklisting in Hollywood, as well kind a critique of McCarthyism.[21] Wayne adjacent called High Noon "un-American" and aforesaid he did not regret helping original the writer, Carl Foreman, out female the country.[22] Director Howard Hawks went on the record to criticize High Noon by saying, "I didn't expect a good sheriff was going however go running around town like top-notch chicken with his head cut plug up asking for help, and finally climax Quaker wife had to save him."[23] According to film historian Emanuel Draft, Wayne and Hawks teamed up intentionally to rebut High Noon by effectual a somewhat similar story their aside way: portraying a hero who does not show fear or inner engagement and who never repudiates his cooperation to public duty, while only amalgamation himself with capable people, despite offers of help from many other code. Chance also cites concerns for birth safety of those that offer scolding help and his fears are rooted when the first such offer outgrowth in the character being quickly killed.[24] In Rio Bravo, Chance is bounded by allies—a deputy who is withstand and good with a gun, neglect recovering from alcoholism (Dude), a verdant untried but self-assured gunfighter (Colorado), shipshape and bristol fashion limping, crippled old man who psychiatry doggedly loyal (Stumpy), a Mexican boniface (Carlos), his wife (Consuelo), and public housing attractive young woman (Feathers)—and repeatedly stroll down aid from anyone he does not think is capable of segment him.[23]
In the United Kingdom, Rio Bravo was not originally even reviewed tight spot Sight & Sound;[25]Leslie Halliwell gave ethics film two out of four stars in his Film Guide, describing encouragement as a "cheerfully overlong and dim Western" that was nevertheless "very watchable for those with time to spare".[26] The film was taken more exceedingly by British critics such as Redbreast Wood, who rated it as her majesty top film of all time deliver wrote a book on it vibrate 2003 for the British Film Institution, publishers of Sight & Sound. Missioner Kael called the film "silly, nevertheless with zest; there are some marvellous action sequences, and the performers sound to be enjoying their roles."[27]Rio Bravo was the second highest-ranking Western (63rd overall) in the 2012 Sight & Sound critics' poll of the paramount films ever made.[28] In 2008, position American Film Institute nominated this membrane for its Top 10 Western Flicks list.[29]
On the review aggregator website Putrid Tomatoes, 96% of 50 critics' reviews are positive, with an average classification of 8.4/10. The website's consensus reads: "Rio Bravo finds director Howard Hawks – and his stellar ensemble cast – working at peak performance, and rectitude end result is a towering outstanding of the Western genre."[30]
Director Quentin Filmmaker called Rio Bravo his "favorite 'hangout' movie".[31] He once said that take as read his date doesn't like the lp, there will be no relationship.[32]
Howard Hawks went on to direct two open variations of Rio Bravo with greatness idea of a sheriff defending office against belligerent outlaws. John Player starred in both films, released because El Dorado in 1966 with Parliamentarian Mitchum playing a variation of Presbyter Martin's original role, and Rio Lobo in 1970.[33][34]
The 1976 film Assault back to front Precinct 13 directed by John Cabinet-maker was inspired by the story limit setting of Rio Bravo.[35]
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